About 'hair implant'-Do Hair Transplants Really Work?

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About 'hair implant'-Do Hair Transplants Really Work?

Ｔｈｅ               ｆｉｃｔｉｏｎａｌ               ｂｉｏｐｉｃ               ｏｆ               ｉｃｏｎｉｃ               ｐｈｏｔｏｇｒａｐｈｅｒ               Ｄｉａｎｅ               Ａｒｂｕｓ,               Ｆｕｒ,               ｓｔａｒｒｉｎｇ               Ｎｉｃｏｌｅ               Ｋｉｄｍａｎ               ａｎｄ               Ｒｏｂｅｒｔ               Ｄｏｗｎｅｙ               Ｊｒ.,               ｃｏｕｌｄ'ｖｅ               ｂｅｅｎ               ａ               ｔｒａｇｉｃ               ｆｒｅａｋ               ｓｈｏｗ. Ｔｈａｎｋｆｕｌｌｙ               ｕｎｄｅｒ               ｔｈｅ               ｇｕｉｄｉｎｇ               ｈａｎｄｓ               ｏｆ               ｄｉｒｅｃｔｏｒ               Ｓｔｅｖｅｎ               Ｓｈａｉｎｂｅｒｇ               ａｎｄ               ｓｃｒｅｅｎｗｒｉｔｅｒ               Ｅｒｉｎ               Ｃｒｅｓｓｉｄａ               Ｗｉｌｓｏｎ               (ｒｅｔｕｒｎｉｎｇ               ｆｒｏｍ               ｔｈｅｉｒ               ｃｏｌｌａｂｏｒａｔｉｏｎ               ｏｎ               Ｓｅｃｒｅｔａｒｙ)               ｉｔ               ｔｒａｎｓｃｅｎｄｓ               ｄｕｌｌ               ｂｉｏｇｒａｐｈｉｃａｌ               ｃｉｎｅｍａ               ｉｎｔｏ               ａ               ｈｉｇｈｌｙ               ｉｍａｇｉｎａｔｉｖｅ               ｐｏｒｔｒａｉｔ. Ａｒｂｕｓ,               ｔｈｅ               ａｒｔｉｓｔ,               ｉｓ               ａｃｃｌａｉｍｅｄ               ｔｈｅ               ｗｏｒｌｄ               ｏｖｅｒ,               ａｓ               ｔｈｅ               ｏｐｅｎｉｎｇ               ｓｔａｔｅｍｅｎｔ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ｐｒｏｃｌａｉｍｓ,               ｓｈｅ               ｃｈａｎｇｅｄ               ｔｈｅ               ｆａｃｅ               ｏｆ               20ｔｈ               ｃｅｎｔｕｒｙ               ｐｈｏｔｏｇｒａｐｈｙ. Ｅｖｅｎ               ｐｅｏｐｌｅ               ｗｈｏ               ｄｏｎ'ｔ               ｋｎｏｗ               ｈｅｒ               ｎａｍｅ               ｈａｖｅ               ｐｒｏｂａｂｌｙ               ｓｅｅｎ               ｈｅｒ               ｐｈｏｔｏｇｒａｐｈｓ               ｏｒ               ｗｉｔｎｅｓｓｅｄ               ｈｅｒ               ｉｎｆｌｕｅｎｃｅ               ｓｏｍｅｗｈｅｒｅ               ｉｎ               ａｒｔ. Ｔｈｅｒｅ               ｉｓ               ｄｅｆｉｎｉｔｅ               ｒｕｍｏｒ               ａｂｏｕｔ               Ｎｉｃｏｌｅ               Ｋｉｄｍａｎ'ｓ               ｐｏｒｔｒａｙａｌ               ｏｆ               Ａｒｂｕｓ               ｃｏｎｔｅｎｄｉｎｇ               ｆｏｒ               ｔｈｅ               2007               Ｂｅｓｔ               Ａｃｔｒｅｓｓ               Ｏｓｃａｒ. Ｔｈｅ               ｐｒｏｄｕｃｅｒｓ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ｍｕｓｔ               ｈａｖｅ               ｆｏｒｅｓｅｅｎ               ｔｈｉｓ,               ｐｉｃｋｉｎｇ               ｔｈｅ               ｐｒｉｍｅ               Ｏｓｃａｒ               ｒｅｌｅａｓｅ               ｍｏｎｔｈ               ｔｏ               ｇｅｔ               ｐｅｒｆｏｒｍａｎｃｅｓ               ｆｒｅｓｈ               ｉｎ               ｃｒｉｔｉｃｓ'               ｍｉｎｄｓ. Ｒｏｂｅｒｔ               Ｄｏｗｎｅｙ               Ｊｒ. ｃｏｕｌｄ               ｖｅｒｙ               ｗｅｌｌ               ｂｅ               ｎｏｍｉｎａｔｅｄ               ｆｏｒ               Ｂｅｓｔ               Ａｃｔｏｒ               ｉｎ               ａ               Ｓｕｐｐｏｒｔｉｎｇ               Ｒｏｌｅ               ｆｏｒ               ｈｉｓ               ｐａｒｔ               ａｓ               Ａｒｂｕｓ'               ｈａｉｒｙ               ｎｅｉｇｈｂｏｒ               Ｌｉｏｎｅｌ. Ｎｏｔ               ｔｏ               ｍｅｎｔｉｏｎ               ａ               ｐｏｓｓｉｂｌｅ               ｂｅｓｔ               ｓｃｒｅｅｎｐｌａｙ               ｎｏｍｉｎａｔｉｏｎ               ａｎｄ               ｏｎｅ               ｆｏｒ               Ａｒｔ               Ｄｉｒｅｃｔｉｏｎ               (Ｓｅｔ               Ｄｅｓｉｇｎ). Ｔｈｅ               ｖｉｓｕａｌ               ｂｒｉｌｌｉａｎｃｅ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ｒｅｓｏｎａｔｅｓ               ｉｎｔｏ               ｔｈｅ               ｃｏｌｌａｂｏｒａｔｉｖｅ               ｅｆｆｏｒｔｓ               ｏｆ               Ｓｈａｉｎｂｅｒｇ               ａｎｄ               Ｗｉｌｓｏｎ,               ａｓ               ａｒｔ               ｄｉｒｅｃｔｏｒ               Ｎｉｃｋ               Ｒａｌｂｏｖｓｋｙ               ａｌｓｏ               ｗｏｒｋｅｄ               ｏｎ               Ｓｅｃｒｅｔａｒｙ,               ａｓ               ｄｉｄ               ｐｒｏｄｕｃｔｉｏｎ               ｄｅｓｉｇｎｅｒ               Ａｍｙ               Ｄａｎｇｅｒ. Ｔｈｅ               ｓｕｒｒｏｕｎｄｉｎｇｓ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ｕｎｒａｖｅｌ               ｆｒｏｍ               ｔｈｅ               ｐｌｕｓｈ               Ｅａｓｔｅｒ               ｅｇｇ               ｃｏｌｏｒｓ               ｏｆ               1950ｓ               ｄéｃｏｒ               ｉｎｔｏ               ｔｈｅ               ｇｒｕｎｇｙ               ｐｌｅａｓａｎｔｒｉｅｓ               ｌａｔｅｒ               ｓｅｅｎ               ｉｎ               Ａｒｂｕｓ'               ｗｏｒｋ. Ｔｈｉｓ               ｐｒｏｄｕｃｔｉｏｎ               ｄｅｓｉｇｎ               ｆｏｌｌｏｗｓ               ｔｈｅｍａｔｉｃａｌｌｙ               ｔｈｅ               ｕｎｍａｓｋｉｎｇ               ｏｆ               ｒｅａｌｉｔｉｅｓ               ｗｉｔｈｉｎ               Ａｒｂｕｓ'               ｃｈａｒａｃｔｅｒ               ａｎｄ               ｈｅｒ               ｎｅｉｇｈｂｏｒｌｙ               ｌｏｖｅ               ａｆｆａｉｒ               ｗｉｔｈ               Ｌｉｏｎｅｌ.                Ｉｔ               ｓｅｅｍｓ               ａｒｔ,               ｅｓｐｅｃｉａｌｌｙ               ｃｉｎｅｍａ               ｉｓ               ｄｅｓｔｉｎｅ               ｔｏ               ｆｏｒｅｖｅｒ               ｉｍｐｌａｎｔ               ｔｈｅ               Ａｌｉｃｅ               ｉｎ               Ｗｏｎｄｅｒｌａｎｄ               ｍｏｔｉｆ               ｗｈｅｎｅｖｅｒ               ａ               ｃｈａｒａｃｔｅｒ               ｔｒａｖｅｒｓｅｓ               ｔｈｅｉｒ               ｉｎｎｅｒ               ｓａｎｃｔｕｍ               ｏｆ               ｒｅａｌｔｙ. Ｆｕｒ               ｌａｙｓ               ｔｈｅ               ｍｏｔｉｆ               ｏｎ               ｔｈｉｃｋ,               ｆｒｏｍ               Ｋｉｄｍａｎ'ｓ               ｇｉｒｌｉｓｈ               ｂｌｕｅ               ｄｒｅｓｓ,               ｐｅａｋｉｎｇ               ｔｈｒｏｕｇｈ               ｌｉｔｔｌｅ               ｄｏｏｒｗａｙｓ               ｏｆ               ｔｈｅ               ｓｕｂｃｏｎｓｃｉｏｕｓ,               ｔｏ               ｗｈｉｔｅ               ｒａｂｂｉｔｓ               ａｎｄ               ｔｅａ               ｐａｒｔｉｅｓ. Ｔｈｅ               ｃｈａｒａｃｔｅｒ               ｏｆ               Ｌｉｏｎｅｌ               ａｌｓｏ               ｔａｋｅｓ               ｏｎ               ｆａｉｒｙ               ｔａｌｅ               ｐｒｏｐｏｒｔｉｏｎｓ               ｗｉｔｈ               ｈｉｓ               ｓｔｒａｎｇｅ               ｃｏｎｄｉｔｉｏｎ               ｏｆ               ｅｘｃｅｓｓｉｖｅ               ｈａｉｒ               ｇｒｏｗｔｈ. Ｈｅ               ｅｍｂｏｄｉｅｓ               ｔｈｅ               ｇａｔｅｗａｙ               ｔｏ               Ａｒｂｕｓ'               ａｒｔｉｓｔｉｃ               ｊｏｕｒｎｅｙ,               ａｎｄ               ｆｉｔｔｉｎｇｌｙ               ｏｗｎｓ               ａ               ｐｅｔ               ｗｈｉｔｅ               ｒａｂｂｉｔ,               ｂｕｔ               ｈｉｓ               ｆｕｒｒｙ               ｐｒｅｓｅｎｃｅ               ａｌｓｏ               ｃｈａｒａｃｔｅｒｉｚｅｓ               ａ               ｂｅａｓｔ               ｔｏ               Ａｒｂｕｓ'               ｂｅａｕｔｙ. Ｈｅ               ｅａｓｅｓ               Ａｒｂｕｓ               ｉｎｔｏ               ｈｅｒ               ｃａｒｅｅｒ               ｌｏｎｇ               ｌｏｖｅ               ａｆｆａｉｒ               ｏｆ,               ａｆｆｅｃｔｉｏｎａｔｅｌｙ               ｄｕｂｂｅｄ,               ｆｒｅａｋｓ               ｏｆ               ｗｈｉｃｈ               ｓｈｅ               ｏｎｃｅ               ｓａｉｄ,               "Ｍｏｓｔ               ｐｅｏｐｌｅ               ｇｏ               ｔｈｒｏｕｇｈ               ｌｉｆｅ               ｄｒｅａｄｉｎｇ               ｔｈｅｙ'ｌｌ               ｈａｖｅ               ａ               ｔｒａｕｍａｔｉｃ               ｅｘｐｅｒｉｅｎｃｅ. Ｆｒｅａｋｓ               ｗｅｒｅ               ｂｏｒｎ               ｗｉｔｈ               ｔｈｅｉｒ               ｔｒａｕｍａ. Ｔｈｅｙ'ｖｅ               ａｌｒｅａｄｙ               ｐａｓｓｅｄ               ｔｈｅｉｒ               ｔｅｓｔ               ｉｎ               ｌｉｆｅ. Ｔｈｅｙ'ｒｅ               ａｒｉｓｔｏｃｒａｔｓ."                Ｉｔ               ｉｓ               ｔｈｒｏｕｇｈ               ｈｅｒ               ｐａｓｓｉｏｎａｔｅ               ｒｅｌａｔｉｏｎｓｈｉｐ               ｗｉｔｈ               Ｌｉｏｎｅｌ               ｔｈａｔ               Ａｒｂｕｓ               ｌｅａｒｎｓ               ａ               ｖａｌｕａｂｌｅ               ｌｅｓｓｏｎ               ｂｅｆｏｒｅ               ｅｍｂａｒｋｉｎｇ               ｏｎ               ｈｅｒ               ｐａｔｈ;               ｔｏ               ｎｏｔ               ｌｅｔ               ｔｈｅ               ｃａｍｅｒａ               ｃｏｍｅ               ｂｅｔｗｅｅｎ               ｈｅｒ               ａｎｄ               ｈｅｒ               ｓｕｂｊｅｃｔｓ. Ｌｉｏｎｅｌ               ｅｓｃｏｒｔｓ               ｈｅｒ               ａｒｏｕｎｄ               ｔｏ               ｈｉｓ               ｃｉｒｃｕｓ-ｌｉｋｅ               ａｃｑｕａｉｎｔａｎｃｅｓ               ａｎｄ               ｐｌａｙｓ               ｓｅｎｓｕａｌ               ｍｉｎｄ               ｇａｍｅｓ               ｗｉｔｈ               ｈｅｒ               ｂｅｆｏｒｅ               ａｌｌｏｗｉｎｇ               ｔｈｅ               ｆｉｒｓｔ               ｆｌａｓｈ               ｏｆ               ｔｈｅ               ｃａｍｅｒａ. (Ｗａｒｎｉｎｇ:               Ｓｐｏｉｌｅｒ)               Ｔｈｉｓ               ｌｅｓｓｏｎ               ｉｓ               ａｆｆｉｒｍｅｄ               ｉｎ               ｔｈｅ               ｌａｓｔ               ｓｃｅｎｅ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ａｓ               Ａｒｂｕｓ'               ｃｈａｒａｃｔｅｒ               ｓｔｒｏｌｌｓ               ｔｈｒｏｕｇｈ               ａ               ｎｕｄｉｓｔ               ｃｏｌｏｎｙ,               ｓｉｔｔｉｎｇ               ｂｅｓｉｄｅｓ               ａ               ｙｏｕｎｇ               ｗｏｍａｎ               ｗｈｏ               ａｓｋｓ               "Ａｒｅｎ'ｔ               ｙｏｕ               ｇｏｉｎｇ               ｔｏ               ｔａｋｅ               ｍｙ               ｐｉｃｔｕｒｅ?"               Ａｒｂｕｓ               ｓｍｉｌｅｓ               ａｎｄ               ｔｅｌｌｓ               ｈｅｒ               "Ｎｏｔ               ｙｅｔ,"               ｐｌａｃｉｎｇ               ｔｈｅ               ｃａｍｅｒａ               ｏｎ               ｔｈｅ               ｂｅｎｃｈ               ｂｅｔｗｅｅｎ               ｔｈｅｍ.                Ｔｈｉｓ               ｉｎ               ｍａｎｙ               ｗａｙｓ               ｃａｐｔｕｒｅｓ               ｔｈｅ               ｉｎｔｉｍａｃｙ               ｏｆ               Ａｒｂｕｓ'               ｐｅｒｓｏｎａｌｉｔｙ               ａｎｄ               ａｐｐｒｏａｃｈ               ｗｉｔｈｏｕｔ               ｒｅａｌｌｙ               ｓｅｅｉｎｇ               ａｎｙ               ｏｆ               ｈｅｒ               ｗｏｒｋ               ｔｈｒｏｕｇｈ               ｔｈｅ               ｆｉｌｍ. Ａｓ               ｄｉｓａｐｐｏｉｎｔｉｎｇ               ａｓ               ｔｈｉｓ               ｍａｙ               ｓｅｅｍ,               ｉｔ               ｅｍｐｈａｓｉｚｅｓ               ｔｈｅ               ｃｈａｒａｃｔｅｒ'ｓ               ｃｈｏｉｃｅ               ｔｏ               ｈｉｄｅ               ｈｅｒ               ｗｏｒｋ               ｆｒｏｍ               ｈｅｒ               ｈｕｓｂａｎｄ               ａｎｄ               ｆａｍｉｌｙ               ｕｎｔｉｌ               ｓｈｅ               ｗａｓ               ｒｅａｄｙ. Ｉｔ               ｗａｓ               ｔｈｅ               ｓａｍｅ               ａｐｐｒｏａｃｈ               ｓｈｅ               ｔｏｏｋ               ｗｉｔｈ               ｐｈｏｔｏｇｒａｐｈｉｎｇ               ｄｅｌｉｃａｔｅ               ｐｅｏｐｌｅ,               ｓｈｅ               ｃｏｍｍｕｎｉｃａｔｅｄ               ａ               ｂｏｎｄ               ｔｏ               ｔｈｅｉｒ               ｂｅａｕｔｙ               ａｎｄ               ｄｉｄｎ'ｔ               ｓｈｏｏｔ               ｏｒ               ｅｘｐｏｓｅ               ｕｎｔｉｌ               ｔｈｅ               ｓｕｂｊｅｃｔ               ｗａｓ               ｒｅａｄｙ. Ｉｔ               ｍａｙ               ｓｅｅｍ               ｔｈａｔ               ｔｈｅ               Ａｒｂｕｓ               Ｋｉｄｍａｎ               ｇｉｖｅｓ               ｕｓ               ｉｓ               ｎｏｔ               ｔｈｅ               ａｒｔｉｓｔ               ｔｈｅ               ｗｏｒｌｄ               ｐｒｅｔｅｎｄｅｄ               ｔｏ               ｋｎｏｗ. Ａｓｉｄｅ               ｆｒｏｍ               ｉｔ               ｂｅｉｎｇ               ａ               ｆｉｃｔｉｏｎａｌ               ｐｏｒｔｒａｙａｌ,               Ｋｉｄｍａｎ'ｓ               Ａｒｂｕｓ               ｉｓ               ｏｎｅ               ｓｔｉｌｌ               ｌｏｃｋｅｄ,               ｏｒ               ｍａｓｋｅｄ,               ｗｉｔｈｉｎ               ｈｅｒ               ｏｗｎ               ｐｒｅｔｅｎｄｉｎｇ               ｔｏ               ｂｅ               ａ               ｈａｐｐｙ               ｈｏｕｓｅｗｉｆｅ. Ｉｎｃｒｅｄｉｂｌｙ,               ｔｈｒｏｕｇｈｏｕｔ               ｍｏｓｔ               ｔｈｅ               ｆｉｌｍ               Ｋｉｄｍａｎ'ｓ               ｗａｔｅｒｙ               ｅｙｅｓ               ｓｈｏｗ               ａ               ｆｏｒｃｅ               ｒｅａｄｙ               ｔｏ               ｂｕｒｓｔ               ｆｒｏｍ               ｂｅｈｉｎｄ               ｔｈｉｓ               ｍａｓｋ. Ａｒｂｕｓ'               ｒｅａｌ               ｌｉｆｅ               ｅｎｄｅｄ               ｔｒａｇｉｃａｌｌｙ               ｉｎ               ｓｕｉｃｉｄｅ               ａｎｄ               ｔｈｉｓ               ｉｓ               ｐｏｅｔｉｃａｌｌｙ               ｒｅｆｅｒｒｅｄ               ｔｏ               ｉｎ               ｔｈｅ               ｃｈａｒａｃｔｅｒ               Ｌｉｏｎｅｌ'ｓ               ｆｉｎａｌ               ｍｏｍｅｎｔｓ. Ｔｈｅｒｅ               ｉｓ               ｃｕｒｉｏｓｉｔｙ,               ｈｕｍｏｒ,               ｆｅａｒ,               ｓｙｍｍｅｔｒｙ               ａｎｄ               ｄｉｓａｒｒａｙ               ｉｎ               Ｆｕｒ:               Ａｎ               Ｉｍａｇｉｎａｒｙ               Ｐｏｒｔｒａｉｔ               ｏｆ               Ｄｉａｎｅ               Ａｒｂｕｓ,               ｓｏｍｅｔｈｉｎｇ               ａｋｉｎ               ｔｏ               ｗｈａｔ               ｃａｎ               ｂｅ               ｒｅａｌｉｚｅｄ               ｉｎ               ｔｈｅ               ａｒｔｉｓｔ'ｓ               ｈａｕｎｔｉｎｇ               ｉｍａｇｅｓ.

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